Grease Poured Down Sink

Random I Am - Of Dice and Boards. Hypodermic

"Every morning, it's a new surprise
Do not know who I am before I roll the states ..."

Millencolin Random I Am "

few days (day) ago I wrote a letter to a dear friend. Yes, I agree, was an e-mail, but he had the scent and the length of a letter penned in ink-stained hands and thoughts of the night so much as confused as insomnia and deep introspection. Among other things, I tossed a sentence resulted in nearly his own free will, which summarizes the Lingering feeling that accompanied me during this period. "I'm afraid to go back on the board rather than roll the dice and continue." Trite metaphor, perhaps, but effective in many ways. The caroamicotiscrivo it to me rightly re-launched, I have it in mind and why I do my best to get him, then die. Me just here, not complacency, but because sometimes it really good to remember their own direction.

Allie

Teach Abroad Loan Forgivenes

"Does not matter who you've been

Reaching You're in But you do not know where to begin ..."

The Offspring - "Hypodermic" As I write

of stereotyping and sense-making for some obscure reason I remember this old song of my Beloved Offspring, stroke, perhaps unknown to those who are not pushed Smash and Ixnay back over, but I was impressed. Here I am again to draw conclusions, or almost, of another intense period abroad. All the while I try to go into the maze of social identity theory, at least just enough to provide a theoretical framework for my film analysis. (Re) Starting certainly implies question their own ... but (re) return is often even more complex ... an identity is forged "new" by virtue of all the experiences and people he meets along the way, but then suddenly finds himself having to deal with (the) previous identity, preserved in places and memory collective (at least those who still remember him!). And then it "does not matter who you've been", or does it? Count only what you had before, the place to which you return? And what to do with what you've been in the middle, and mental space in the elsewhere? Frankly, this time I feel even less able to respond. Spend some months abroad in some ways is a magnified projection of the fleeting experience of elsewhere got from a book or a movie: Yes, real life, sometimes complicated by a number of organizational issues that slow down the implementation true, but it also contains the size of the exploration of possibilities, a range of options that maybe in the world "normal" does not even consider or do not exist tout court. Here, for the first time since I started to move I began to seriously consider my home town as a * * among the possibilities, not * my * the default size. I was surprised myself, I always saw the return as a normal end of the path, and sometimes I wanted because I felt the desire to regain possession of something that I felt much better than where I had projected, and with whom I struggled to come to terms. This time however I fear the pigeonholing that might expect, I fear that world-academic work that I've known hostile but now more than ever seems really saturated, impregnable and sick. Not that everything here is rosy, if I had not the increase of the scholarship I probably would have had to pack in a jiffy, since the cost of living in London, and yet, although students and researchers are in an uproar here, somehow I feel there is a minimum of breath more (ok, the comparator makes everything better ...). Moreover, I realized the irony of life just to Barons Court ... nomen omen? Boh, very nearly there I hope, at least I have a bunch of keys to enter!

Allie

Cheats Pokémon Emerald On Gpsphone

advent calendar of Scrapper's Night Lights

back again this year our now regular appointment with the advent calendar, not to brag, but we were the first to propose it! ;-)
Daily until December 25 to go to the website of the Night Scrapper and virtually open the box of the day, an idea, an inspiration, to design one is there for you!

How Much Daylight Gained A Day

an act impossible?

Ingredients:
-a shoebox;
-empty jam jars, three;
a light pre-fall of the Wall;
a frame-a4;
Get-dvd the Money and Run, Gran Torino, Amelie, Benjamin Button.
-books Gianrico Carofiglio and Andrea Camilleri.

Procedure: Cut
one of the long sides of the shoe box, cut a big hole. Remove the glass from the frame.
Place the jars of jam inside the shoebox. Place the jars of jam the glass plate.
Secure the glass to the box using adhesive tape. Insert the lamp
bicentennial and hot near the hole and turn it on.
Place all books and DVDs to find the right height to work well and do not strain your back.
Close the curtains of the room and voila. You're done.
Done? With this

rudimentary light box began my first venture into animation. Stefano Ricci
The course here at the HAW Hamburg provides for the creation of an animated video entitled An act impossible.
The protagonists of the videos we have to be ourselves, and, through design, we include in the video what we conceive as an act impossible.

Now, I did a quick calculation and should produce 600 to 700 frames.
I am now up to 220, in this cold Tuesday in Hamburg.

Oh, today it has started snowing.

Needless to say, I can not show these fantastic first twenty seconds are already been approached by several producers who want exclusivity. You'll have to wait until March to see the final result.
Do not Have those faces, diobò mica is my fault.
With all the millions they give me for the video ...

But I can give you a few frames preview and tell you that the stars of the video will be Simone Cortesi, a washing machine, and Simone Simone Cortesi Cortesi.


The light box I need to trace the original video frames, on which design and then modify the actions of the characters in the video.
It 's a work as beautiful as tiring. That is, I say, it takes a certain something to think about while you are drawing these frames so apparently the same.
The fact is that when you draw them six frames after frames, do not seem to be changing anything.
Diobono magic is when you put them then frames one after another in the program, set the appropriate speed e. And then there's
Ta Daa.
It 's like a little magic, but maybe just because it's my first' film 'and not used.
a video than a comic book has the powerful weapon of sound. And I say should be exploited.
There will also be a piece of dialogue in the final.
short, a big work in the round.


Ah, I take this opportunity to tell you that today is a Flash cartoon boy ..! Vi allego il link della storia che hanno pubblicato sul sito, e che se siete devoti al mio blog conoscerete già, La morta .
http://www.flashfumetto.it/artisti/gallerievirtuali_pagina/id-7/gal-82


Ed ecco i primi fotogrammi.
Presto vi aggiorno poi sull'andamento amici cari cybernautici!
Sempre che io non cada in depressione o in preda ad una pazzia giustificatissima.
Intendo per la mole di lavoro, carissimi.

However, for the production of this video were not abused books. I swear that every time they pull out from under the box and read them.